![]() Nino Rota has penned a haunting score for the picture. Claudia Cardinale makes several strikingly effective appearances as Mastroianni’s symbol of pure creation. Sandra Milo and Anouk Aimee fight it out for second honors, respectively as mistress and wife. Marcello Mastroianni is excellent as the middle-aged director, often deliberately bearing an uncanny resemblance to Fellini himself. But Fellini is, at heart, a populist, and even when he slips into potentially obscure dream sequences, such as the one that opens the film, the imagery is not. Once again, Fellini gets top assistance from his large and colorful cast. It is a 140-minute seance on the psychiatrist’s couch, in which the author turns himself inside out, confessing his innermost thoughts and problems, and finally reaching his apt conclusions. All the while, he is hounded by production managers, would-be stars, scriptswriters.įlashbacks to his youth and flash-forwards in the form of daydreams illustrate the director’s inner qualms and worries, resolved at the finale by his realization that, after all: ‘life is a feast let’s live it together,’ taking the good with the bad.Ĩ 1/2 defies telling or description. ![]() ![]() At the same time, he is worried about his physical condition, is becoming bored by the voluptuous mistress he has brought along with him, and disappointed by his wife’s continued inability to understand him.
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